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Vocal Coach Susan Anders

Talent Competition Tips Part 1

Winning “Idol” - or any talent competition - Part 1
By Jeannie Deva

Reality TV
Popularity of reality TV in general and singing contests specifically has made American Idol a media sensation. At the same time, it has created a wonderful opportunity for aspiring performers while inspiring many to hold fast to their dreams.

Entering into a competition like American Idol however, is the modern day emotional equivalent of the gladiator fights in the old Roman coliseum. And there sits Simon, like the emperor, ready to determine your fate with a thumbs up or thumbs down. So how to you enter such a competition and not only survive but succeed in wowing the judges and an American audience well enough to eventually win?

In preparing for my appearance on “Idol Chat” on the TV Guide Channel, I have been watching American Idol with more scrutiny. Here are some of the errors many of the contestants have in common:


1) Going off pitch or “being pitchy” as the judges say.


2) Choosing the wrong song; this means that the song doesn’t easily permit them to sound unique. Instead of showing their own distinctive qualities as a singer, they sound like good but boring “record copies.”


3) They don’t have a level of certainty vocally and as a performer to put their all into the song without being self-conscious, causing them to hold back or play it safe. This results in an uncourageous and less than fully inspirational performance.

Tough Enough for Simon
Singing before a panel of judges and a TV audience may be one of the hardest things a performer would ever have to do. The pressure alone may cause you to make vocal mistakes that would otherwise never occur. In order to withstand that pressure well, a performer needs to be confident in each aspect of their talent and not just because they tell themselves they are, but because they really are.

Are You Ready?
Winning a competition or any challenging task begins with an attitude and carrying forward with a gradient approach. That means that before you go on national TV before millions of viewers and tough judges, you must master each of the simpler earlier tasks that cumulatively add up to a great performance. You crawl before you walk; you ride a tricycle before tackling a bicycle and even then someone helps you steady it before you go off on your own. Master the simpler, earlier steps before moving on to more complex skills.

In this season’s Idol top 24 finalists, the female contestants were in general, better singers than the males. More of them gave better performances as a result. They became good singers before becoming good performers. I have observed during my 30 plus years of teaching voice, that about 70% of voice students are female. Do we see a pattern here? A higher percentage of females study and practice voice and we find the women finalists on Idol are better singers and performers.

Good Singer First
Do you have enough understanding of the voice and strong enough vocal technique to sing with good pitch and tone when you aren’t under the stress of live performance? Training in proper voice technique and practice to develop your vocal muscles needs to happen before you worry about song choice and stylistic considerations. Trying to sing a song with appropriate style before developing adequate vocal technique is like worrying about correct accent in a language where you don’t even know what the words mean – or yet, don’t even know the language.

Even these actions have many steps within them, like learning to ride a bicycle, where you first do the simpler action and then build it up to more complex skills. Your voice needs to be developed and your performance skills need to be sharpened. Vocal technique should allow you to come through your songs and not restrict your personality and style. Your technique is adequate when you have attained freedom of expression and can deliver a song with good tone, consistency, control and passion. Then you have to be able to do it in front of an audience. The passion in your expression must come out without creating vocal strain or off pitch, non-musical phrases.

Seek the help of a good vocal coach or at least a self study course like my “Contemporary Vocalist” and build your skill step at a time. In Part 2 of this Vocal Tip we’ll address how to choose the right song and then how to develop your performance skills to the point of wowing the judges.

Until next time, keep on singing!

©2007 Jeannie Deva. All Rights Reserved. Reprinted with permission.

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Harmony Singing by Ear by Susan Anders

The Contemporary Vocalist, Vol 1.

This easy and inexpensive course contains techniques designed specifically for the kinds of sounds and demands that are particular to singing Popular Music from Rock to Rap, Folk to R&B, Broadway to Blues. Packaged in an attractive plastic "travel-friendly" binder, The Contemporary Vocalist by Jeannie Deva is a fully illustrated 174-page book and four vocal exercise CDs. If you already own The Contemporary Vocalist in cassette format and would like to upgrade to CDs, contact us.

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Singers should always warm-up their voice before a rehearsal or gig, But how? Here it is! Just pop this CD into your car stereo on the way to your gig or rehearsal and follow the instructions by Jeannie Deva.

You will sail into the first song in your best form, with throat muscles relaxed and your voice feeling free and resonant! When you've completed singing, use this CD again for a voice saving cool-down.

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Jeannie Deva is an international celebrity vocal coach, clinician, recording studio vocal producer, trainer of voice teachers, author of the Contemporary Vocalist and originator of The Deva Method. She has appeared on national TV and endorses TC-Helicon and Thayer’s products for singers. For more information about her method or to find a certified Deva Method® teacher, please visit www.JeannieDeva.com.

Jeannie Deva and The Deva Method are registered trademarks owned by Jeannie Deva Enterprises, Inc. and used with permission.

 

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