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American
Idol Auditions Checklist |
You've watched the show, you've seen the competition, and
you think you're ready to come face-to-face with Simon Cowell.
The first step is to blow everyone away at the initial American
Idol audition. The rules and audition format for each city
where American Idol auditions are held keep changing each
year, so be sure to check the American Idol site and prepare
exactly what they specify for the city where you plan to audition.
Here's a checklist to help you prepare:
1. Find a Good Audition Song
For most auditions you will want to sing just a chorus of
a song, so make sure it's a great chorus that really shows
you off. This is not a time for subtlety, you want songs that
hit people over the head like "I Will Always Love You", "Somewhere
Over The Rainbow" and "If I Ain't Got You." However, all of
these songs I've mentioned will probably be sung by many other
singers. Do your homework and find a song that's not as popular
but just as showy. Recent hits are in everyone's ear, so go
back a way and find something older and great. Try singing
songs originally made famous by a singer of the opposite gender
to make it fresh. Also try jumping genres: "I Will Always
Love You" was originally a country song until Whitney reinvented
it. A fresh approach to a killer song will get attention.
Find
a song that shows off your full range without going beyond
it. You don't want to be straining for any high notes, but
you don't want to bore them with a song that's too easy. The
key of the original song may be too high or low for you, but
when you sing it a cappella you can put it in your key. Put
it in the highest possible key where you still sound good.
If the low notes are still too low you need a different song,
you won't be able to magically sing them at the audition.
See my article about singing low notes for more on that.
If
possible, get a version in your key to practice with. That
can be a karaoke version in the right key, or if you have
a karaoke player you can change the key. Or, you may need
to go to a vocal coach or accompanist for one lesson to get
a piano version of the song for practice purposes. If you
do this, make sure to get a version with and without the melody
played, and while you're at it get one where just the bass
notes of the accompaniment are played. I'll explain why in
the next section.
2. Practice Your Song With Accompaniment
You will be auditioning without accompaniment, but too many
singers forget to really learn the song before doing this.
Then a cappella they go off-key. I had a singer come in last
year right before an audition who managed to sing one chorus
in five different keys! You'll want to develop your own version
of the song, but learn the melody first. That means get that
melody down. Record yourself singing along with the singer
or piano accompaniment with melody and make sure your voice
matches, especially on high notes, low notes, fast phrases
and runs.
When
you are comfortable singing your song with the singer or melody,
practice with a version where the melody isn't played or sung.
Focus on listening to the accompaniment while you sing, that
will help keep you in tune. Record yourself again and listen
for any pitch problems. Remember that sometimes singers go
out of tune because they just need more practice, and sometimes
they go out of tune for technical problems like too much throat
tension. You may need to work more with the melody version
of the song, but if you keep practicing and you're still out
of tune, go see a vocal coach.
3. Practice Your Song Without
Accompaniment
Now you want to see if you can keep it together singing a
cappella. If you have a version where just the bass notes
are played try singing with that first. Or start singing with
the recorded accompaniment, turn off the track and sing a
cappella, then check the track when you're done to see if
you're still in tune. If you play an instrument you can use
the same method, just play the first and last chord and sing
a cappella in-between.
Once
again, record yourself. If you're drifting to another key,
go back and work with the accompaniment some more. If you
sound good, get ruthless with yourself: evaluate your singing
as if you were Simon Cowell. Listen for pitch accuracy, tone
quality, expressiveness, articulation, and control. Polish
your performance until it's a sparkling diamond.
4. Practice Your Song In Front
of the Mirror
Now that your singing sounds good it's time to make sure you
look good. Get in front of the mirror and sing to yourself.
Make sure you aren't bouncing around too much, or that you
aren't a statue. You should look relaxed, but still have good
posture. Your face should look interested as you sing, not
like you're in pain. As you sing to yourself in the mirror
try to focus on your forehead, which will keep your eyes from
flitting around.
5. Practice Your Song In Front
of a Camcorder
The camera doesn't lie: tape yourself and then check for all
of the already discussed visual, vocal and performance points.
Taping yourself might kick up some nerves, too.
6. Practice Your Song In Front
of an Audience
Many singers are good at working their song feverishly up
to this point, but forget to practice in front of people.
Live performances have an energy that is hard to recreate
at home, so the only way to prepare is to do practice performances.
Sing at karaoke clubs as much as possible. Even though your
American Idol audition will probably be off-mic and a cappella,
this is still a good way to prepare. You could have a friend
videotape your performance. Also, gather family and friends
and perform your song for them. You could even tell them to
act bored or tired, since that may be the emotional state
of the people you sing for at the audition! Whenever a friend
can spare thirty seconds to be your audience, sing for them.
Singing in as many different places to as many different people
as possible will prepare you for the craziness of the actual
audition.
7. Practice Your Song In Your
Sleep
Well, this is a joke, of course, but I do have a point to
make. If your audition is like many of them, you will have
been waiting a long time, perhaps even camping overnight,
before you finally get to sing. You'll be tired, impatient,
hungry or otherwise not at your best. Then when you finally
get to sing, adrenaline will hit you like a lightning bolt.
You want to be able to give a fantastic performance even if
you're exhausted, nervous, hungry, angry, whatever. If you've
practiced and fine-tuned your performance enough, you can
transcend any physical or emotional state and still deliver
the kind of knockout audition that will get you noticed.
Copyright
© Susan Anders. Reprinted with Permission.
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with Vocal Coach Susan Anders
in the privacy of your own home! |
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Harmony
Singing by Ear
A step-by-step approach for learning to
sing parallel and other harmonies above and below a melody.
This program includes OVER NINETY .mp3 tracks. That's
more than three hours of instruction, music and guide
vocals. Vocal Coach Susan Anders has successfully used
her method for over twenty years with pop, R&B, folk,
rock and country singers. |
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Singing
With Style
A 3 CD set with almost four hours of material
that teaches good singing technique as you sing a vocal
warm up using eleven jazz standards. Then Singing With
Style takes you to the next step and teaches you how to
stylize all of those songs with ornaments, licks, scat
singing, and more. All of the essentials of good voice
technique are covered, followed by extensive vocal stylizing
lessons. |
| Susan
Anders (MA, San Francisco State) has helped
thousands of singers during the twenty-plus years she
has been coaching. She started her vocal studies with
classical voice work UC Santa Cruz, then quickly veered
off to study contemporary voice technique in depth.
She found the latter invaluable as she performed with
rock, jazz, Motown, folk and a cappella groups, as a
jingles singer, as a touring singer-songwriter and even
as a musical telegram delivery singer. Her varied performance
background has aided her as she coached singers working
in a wide range of styles. Her focus is to help each
singer find a sound that is both technically correct
and stylistically authentic. |
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